The gift was given so long ago that I cannot name the day or the occasion. I do remember the giver and something about the maker. I was in my early 20s. The giver was my brother, and the maker was a friend of his, an older woman. She was a kindly potter who understood many things—that I learned later through hearsay, for I remember meeting her only once, in her studio. Perhaps, though, I have only imagined that meeting.

The mug was not notable for its beauty, for it was squat and brownish. In those days, had it been left to my choice, I’d have picked something more elegant, like a Blue Mountain pottery piece, then much in vogue and now found only in thrift shops and on collectors’ shelves. What I did notice at once was how the mug felt in my hands. It belonged there – completely. Something about the shape suited my hands, fit the pattern of my holding. I soon discovered that its shape also kept the coffee hot longer, something that mattered to me then already. My coffee addiction developed early.
In the first years we had together, my mug and I spent many hours in university classrooms. I remember plunking the empty mug in the bottom of my capacious book bag which I schlepped to campus day after day. The mug came with me because I had been inducted, in my second undergraduate year, into the pleasure of long seminar classes. My first one (on Shakespeare) always began with the professor’s ritual of plugging in an electric kettle to begin the process of making coffee, then asking a few “questions to boil water by.” (Yes, it was instant coffee, brand now forgotten – I was addicted to coffee but not yet choosy about what kind.) Once the coffee had been made, we settled down to work on the serious questions for the day.
No doubt, the mug was used often in later years, post-university, when babies came to complete our family and transform us from carefree twenty-somethings into responsible thirty-somethings, preoccupied with the weight of parenting and church involvement and bills and house-owning. I have no clear visual memories of the mug during those years, although I am certain that I would have used it regularly. It had been a comfortable (and comforting) companion from the beginning of its days with me. That would not have changed regardless of how busy and distracted I might have been.
Then came the days of teaching, with an interlude of further graduate studies, and then teaching again – until eventual retirement. My first “offices” on campus were miniscule and temporary. Embedded in my memory are long days of solitude in a tiny carrel in the library, cherished because it had a door and a lock. That meant that I could leave books there, of course, but more importantly, my typewriter (remember those??) and my coffee mug. To this day, sentences flow more easily when my favourite mug sits at hand.
After I gained a more permanent office in the gracious spaces of St. Thomas More College, where I taught for 19 years, my warm brown mug lived in my office.

It came with me to the various classrooms I taught in. Often the coffee was barely lukewarm by the end of the class, and little of it had actually been consumed. What mattered was that I had it in my hand or nearby on the desk. I was convinced that I was then more relaxed and that my students participated more readily in the kinds of discussion on good literature that gave me the “teaching highs” I valued so much. Perhaps even now, more than 12 years since my retirement, former students remember me with coffee mug in hand. I rather hope so.
These days, that mug, now over 50 years old, lives only in our home. I guard it carefully when we have houseguests, lest it find itself in strange hands. Silly, isn’t it? Surely a mug knows nothing of whose hands fit around its inviting shape. And a washed mug is always ready for the next use by whoever picks it up. But we have a relationship, I insist. It’s so close a tie that even my liking for a particular travel mug that I have now used for some 15 years doesn’t rival it.
Its particular virtues? I think the circumstances of its making, in a small pottery studio in a garage of a suburban home in Edmonton, are important. The potter was a gentle woman, an artist, aware of the aches of living, aware of the frequent unfairnesses that hide in the best of places. She did her work with love, that’s certain. Each mug, each piece of pottery was made for its unique self. In the words of poet Gerard Manley Hopkins, my mug had its unique, living character, had its “inscape” from the beginning, and all the various stages of life that it has shared with me have only deepened that “inscape.”
Some day, one of our children will have to decide what becomes of that mug. Having survived so many years already, still uncracked and unchipped, despite an occasional fall to the floor, it is unlikely that it will ever be broken, certainly not by me.
As I ponder its long life—and it is now so imbued with coffee flavors that it cannot be used for tea or hot chocolate or water—I recognize that it has given me one other pleasure: a lifelong appreciation for good pottery. When we travel, we are apt to find small galleries and craft markets (both indoors and outdoors) where we peruse the handmade items, and think about the love with which the items have been made. We have a small collection of handmade pottery mugs now, so that we can share our pleasure with family and guests.
This Christmas I will once again dunk my homemade peppernuts into my coffee, served always in the perfect mug. It was made in love, given in love, received gratefully with love.







